Posts Tagged ‘catholics’

Enviornmentalism and The Ethnic Neighborhood

In this chapter, we discover the origins of White Flight. Jews like Louis Wirth, constructed a plan to move out Whites from the cities, replacing them with Negroes from the South. The Whites would then be moved into suburbs which they would be stripped of their ethnicity for class status.

suburb

Why Do Whites Flee To The Suburbs?

In our discussion, we also see how Louis Wirth and other Jews admired the work of Stalin’s mass deportation programs (Ethnic Cleansing) and tried to apply the same here in America to the Poles.

volga

Stalin's Ethnic Cleansing Against Volga Germans

 

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Other Chapters

Jett

Today, on what should be called “Reading With Jett,” (hehe) we meet Gunnar Myrdal, the Swede who is the supposed author of An American Dilemma: The Negro Problem and Modern Democracy

American Dilemma

The Book He Hardly Wrote

Throughout the reading, we see how Jew, Louis Wirth, compares the White Catholic Ethnic “Problem” to the Soviet Nationalities “Problem.”

Myrdal

Gunnar Myrdal

 

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Other Readings From Slaughter of the Cities

Louis Wirth and The Ethnics

The Wasps Go To War

Jett

Continuing our discussion on Dr. E. Michael Jones’ Book, Slaughter of the Cities, we get to meet a Jew named, Louis Wirth.
Wirth was a Jew from Gemunden, Germany. He came to America at a young age and eventually entered sociology and the University of Chicago. This chapter is primarily over Wirth’s theories, such as replacing ethnos with class.

With

Louis Wirth

 

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Jett

Today on the Jett and Jahn Podcast, I sat down to read a chapter of Dr. E. Michael Jones’s book, The Slaughter of Cities: Urban Renewal As Ethnic Cleansing.
This book discusses why today Whites live in suburbs and gated communities.

Slaughter of Cities

Slaughter of Cities

Click Read More to see show notes and key people discussed.
 
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Everyone knows the Jews run Hollywood nowadays. But did you know it wasn’t always like that?
As early as 1922, Jews were putting bisexuality in films. Ethnic Catholics were highly offended. As a result, The Motion Picture Production Code came about. This set up the Catholic National Legion of Decency to review films. As a result of the MPPC, Jews were forced to stop producing filth and gave Catholics a serious influence bump.
The MPPC was written by Father Daniel Lord. Father Lord was an instructor as Saint Louis University.
The MPPC was adopted in 1930 and was enforced in 1934. It lasted up until the 1960′s, when with help from the “Culture” Revolution in America, the Hollywood Jews were able to set up the MPAA to police themselves.

The Production Code enumerated three general principles as follows:

No picture shall be produced that will lower the moral standards of those who see it. Hence the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin.
Correct standards of life, subject only to the requirements of drama and entertainment, shall be presented.

Law, natural or human, shall not be ridiculed, nor shall sympathy be created for its violation.

Specific restrictions were spelled out as particular applications of these principles:

Nakedness and suggestive dances were prohibited.
The ridicule of religion was forbidden, and ministers of religion were not to be represented as comic characters or villains.
The depiction of illegal drug use was forbidden, as well as the use of liquor, when not required by the plot or for proper characterization.
Methods of crime (e.g. safe-cracking, arson, smuggling) were not to be explicitly presented.
References to alleged sex perversion (such as homosexuality) and venereal disease were forbidden, as were depictions of childbirth.
The language section banned various words and phrases that were considered to be offensive.
Murder scenes had to be filmed in a way that would discourage imitations in real life, and brutal killings could not be shown in detail. Revenge in modern times was not to be justified.
The sanctity of marriage and the home had to be upheld. Pictures shall not imply that low forms of sex relationship are the accepted or common thing. Adultery and illicit sex, although recognized as sometimes necessary to the plot, could not be explicit or justified and were not supposed to be presented as an attractive option.
Portrayals of miscegenation (inter-racial marriage and procreation) were forbidden.
Scenes of passion were not to be introduced when not essential to the plot. Excessive and lustful kissing was to be avoided, along with any other treatment that might stimulate the lower and baser element.
The flag of the United States was to be treated respectfully, and the people and history of other nations were to be presented fairly.
The treatment of vulgarity, defined as “low, disgusting, unpleasant, though not necessarily evil, subjects” must be “subject to the dictates of good taste.” Capital punishment, “third-degree methods”, cruelty to children or animals, prostitution and surgical operations were to be handled with similar sensitivity.

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